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The Black Bird Oracle by Deborah Harkness

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The Black Bird Oracle is the fifth book by Deborah Harkness, following the Bishop-Clairmont family. The series is a supernatural romance which explores the relationships between the different supernatural species. So far, the series has been a hit and the Black Bird Oracle is no different.

This story focuses on the paternal side of the protagonist, Diana’s, family and her growing seven year old twins. It was a slow start, peppered with details of the years between this and the previous book which was set several years prior when the twins were toddlers. No doubt fans will appreciate this but newcomers may become frustrated, especially with the mention of characters which are not in the current book. There’s a careful balancing act between keeping the series accessible for new readers and trying not to bore those familiar with the series.

As with all Harkness’ work, the descriptions and characterisation are impeccable. The plot is well thought through and the history well researched. I found the inclusion of the Salem witch trials interesting and would have welcomed more.

Yet, of all her books, I found the Black Bird Oracle the least compelling read. The pace felt slower; the tensions less believable. I could put it down and found myself doing so earlier than intended. Truthfully, I’m unable to pinpoint exactly why other than the book seemed a little too cosy. I felt no sense of risk. Several times, Diana’s life was in danger but I wasn’t convinced. Throughout, I had an unshakeable certainty that Diana would sail through her challenges – and she did.

The Black Bird Oracle and any future books need Diana to lose. She’s become a Mary Sue, never taking impactful losses. The love between her and Matthew was challenged in this book but not credibly challenged. A little quality time together fixes even the deepest wounds, right?

The children live idyllic lives. Everyone is supportive and the potential harms from their magic are theoretical. Sacrifices are never made and mistakes have no consequences for them. It’s lovely that these children have never experienced any tragedy but it doesn’t make for an interesting read.

Overall, I did very much enjoy the book and I will be first in line for book six. I do hope Harkness can make up for these shortcoming in future. She’s a talented writer who has proven herself better than this latest instalment.

Perhaps she has become too attached to her creations?


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